has impoverished details and finishing: most of the decors and handles are roughly applied on top of the vase. To avoid this way of working, we decided to emphasize it; all the elements are applied with an external material such as rubber bands, ribbons etc…  
 
All the faces depicted in the ”Teste di moro” vases are characters of an unknown story.Instead, all our new designs are differently portraiting an existing person. In this way we substituted the fiction with an element of reality in order to stimulate questions and conflicts in the user.
 
The traditional wine bottle has become the support where to speak about the use of clandestine immigrants for fruit’s harvest, and the majolica flask is transformed in a personal object that tells details about a trip between Nigeria and Lampedusa.
 
Even craftsman’s tools are now iconic elements to recall the African boats retired in the naval cemetery in Lampedusa.
 
 
MOULDING TRADITION
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